| 《加勒比海盗》的童话叙事及其影像话语分析 |
| The Fairy Tale Narrative and Image Discourse in Pirates of the Caribbean |
| 投稿时间：2015-03-25 |
| 中文关键词:童话叙事 格雷马斯叙事理论 视觉呈现 西方主流价值观 |
| 英文关键词:fairy tale narration greimas semiotic narratology visual presentation western mainstream value concept |
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| 中文摘要: |
| 《加勒比海盗》系列电影的情节骨架是模式化的童话叙事结构。运用格雷马斯动素模型和语义方阵模型对《加勒比海盗4》的叙事结构进行了分析，揭示了迪斯尼大片通过电影文本来构建叙事表层结构的艺术特征，探究了作品深层意义下经典童话在文化工业时代的内涵和寓意。虽然包裹着奇幻的外衣，但深层意蕴展现的仍是西方主流价值观，即人类善恶观的个体指征。《加勒比海盗》通过多媒介符号的视觉呈现激发受众的想象力，将艺术形象推向极致。 |
| 英文摘要: |
| The plot and framework of the series of movies Pirates of the Caribbean are modeled fairy tale narration. This paper makes an analysis of the narrative structure of the movie under the guidance of theory of Greimas semiotic narratology and reveals that Disney constructs the artistic characteristic of superficial narrative structure and explores connotation of classic tale in the industrial time. The conclusion could be made that the deep core of the movie is the western mainstream value concept that is the individual indication of good and evil in spite of the fantasy appearance. The movie Pirates of the Caribbean stimulates the audience's imagination by the visual presentation of multi media symbol which push the artistic image to the limit. |
| 孙红元.《加勒比海盗》的童话叙事及其影像话语分析[J].石家庄铁道大学学报(社会科学版),2016(1):57-61. |
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