道家思辨法对《文心雕龙》创作论的建构——以《神思篇》为例
The Taoistic Exercise for the Building of Literary Creation Theory in the Book Carving a Dragon at the Core of Literature: With Chapter Wandering Mind for example
投稿时间:2015-04-11  
中文关键词:刘勰  《文心雕龙》  道家  神思  创作论
英文关键词:Liu Xie  Carving a Dragon at the Core of Literature  taoism  wandering mind   literary creation theory
基金项目:
作者单位
于真 西南大学 文学院 
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中文摘要:
      《文心雕龙》阐释主体浸染了佛教色彩。在思想大融合的时代背景下,刘勰也接纳了道家理念,试图将佛道思想融汇于自己的文学理论当中。《神思篇》作为创作论的总纲,是《文心雕龙》中具有关键意义的一章,其中蕴涵深厚的道家思想。刘勰在吸收老庄思想后,从创作准备、创作心态、创作原则、创作方法、创作思想五个方面铺展创作总论,继承了道家的游心思想、虚静精神、尚天性主张、学习论、言意观,充分运用了道家思辨法。
英文摘要:
      The book, Carving a Dragon at the Core of Literature written by Liu Xie, is mainly affected by Buddhism. During the Wei, Jin and the Southern and Northern Dynasties, different academic thoughts coexisted and merged. Liu also accepted the Taoist ideology, so he tried to blend Buddhist ideas and Taoist thought into his literary theory. As the general program of literary creation theory, Wandering Mind, which implies profound Taoist thoughts, is crucial to the book. Liu expresses his theory in five aspects——creation preparation, creation mentality, creative principle, creative method and creative idea after absorbing the thoughts of Lao Zi and Zhuang Zi. Liu inherits the Taoism, such as the fanciful idea, the void and quiet mind, the nature, the learning theory and the concept of expression and meaning, making full use of Taoistic exercise.
于真.道家思辨法对《文心雕龙》创作论的建构——以《神思篇》为例[J].石家庄铁道大学学报(社会科学版),2015(3):57-61.
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