| “当时体”影响下的杜甫诗体之变 |
| Changes of Dufu’s Poetic Style under the Influence of “the Current Style” |
| 投稿时间：2015-03-25 |
| 中文关键词:杜甫 草堂 当时体 |
| 英文关键词:Du Fu Cao Tang verse |
| 基金项目:河北省重点学科培育项目；河北省生态和发展环境研究基地项目 |
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| 全文下载次数: 2008 |
| 中文摘要: |
| 杜甫在《戏为六绝句》中以“当时体”评价四杰作品的美学风格，实际上更是杜甫自己诗歌艺术追求的阐释，“当时体”是杜甫诗学理论的核心。正是在这种诗学思想的指引下，草堂时期的杜诗不仅实现了由古体为主向以律诗为主的诗体转变，而且律诗创作中的时事入诗、联章组诗、运古于律等正是对“亲风雅”、“转益多师”的实践，“当时体”的艺术取向正是杜甫诗体转变的理论根源。 |
| 英文摘要: |
| In the “play” six quatrains, Dufu examined the previous work’s style as a foundation, which, in fact, interpreted his own poetic creation, putting forward “the Current Style” as the core of the reform of ideological connotation. Under the guidance of this poetic thought, Dufu’s poems of the cottage period, realized the transition from the ancient poems to regulated verses. The current affairs into the poems, poems made up from chapters, and rhymes from the ancient poems are just the practice of “Admiration of Elegance” and “Learning from others”. The artistic trend of “the Current Style” is the theoretical source of the transition of Dufu’s poetic style. |
| 王艳军.“当时体”影响下的杜甫诗体之变[J].石家庄铁道大学学报:社会科学版,2015(3):35-39,86. |
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