| 论《金瓶梅》道德观的出场形态 |
| On the Appearance Form of Moral Value of The Golden Lotus |
| 投稿时间：2013-11-01 |
| 中文关键词:兰陵笑笑生 《金瓶梅》 道德观 出场形态 |
| 英文关键词:Lanling Xiao Xiao Sheng The Golden Lotus moral value appearance form |
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| 中文摘要: |
| 《金瓶梅》倡导道德的情爱伦理和互助友爱的人际伦理。它的道德观是通过批判“酒色财气”呈现出来的。《金瓶梅》道德观的出场形态在三个层面展开：一是情爱的虚无本质，呈现在对偷情、婚姻的反思上，体现情性小说的出场形态；二是冷酷的人情世态，展示在对世俗、社会秩序的批判上，蕴涵现实主义小说的出场形态；三是德性的生活，体现在对欲望放纵、道德沦丧的批判上，彰显道德小说的出场形态。 |
| 英文摘要: |
| The novel The Golden Lotus advocates the moral love ethic and fraternal interpersonal ethic. Its moral values is presented by criticizing the “wine, women, avarice and pride the four cardinal vices”. Appearance form of moral values of The Golden Lotus was deployed at three facets: First, the nature of nothingness of love was shown by reflecting on the betrayal and marriage to present the appearance form of the fiction on love and sex; Second, coolness of the real world was shown by criticizing the secular and the social order to present the appearance form of realistic novel; Third, the life of virtue was shown by criticizing the desire for indulgence, moral turpitude to highlight the appearance form of moral fiction. |
| 孙 全 胜.论《金瓶梅》道德观的出场形态[J].石家庄铁道大学学报:社会科学版,2014(2):21-26. |
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