| 莫言小说的叙事视角 |
| The Narrative Point of View of Mo Yan’s Novels |
| 投稿时间：2012-11-21 |
| 中文关键词:莫言 限知视角 全知视角 复合人称 |
| 英文关键词:Mo Yan limited point of view omniscient point of view complex person |
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| 摘要点击次数: 1950 |
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| 中文摘要: |
| 莫言小说的革新是从对视角艺术的运用开始的。莫言喜欢使用人物限知视角，尤其偏爱选用儿童为视点人物，以回避叙述中的价值评判，而流动、转换的视角运用还原了叙述者本质上的全知全能，也丰富了文本的内蕴，“复合人称”的使用更使莫言小说进入了真正的叙事自由的王国。 |
| 英文摘要: |
| The innovation of Mo Yan’s novels began with the application of viewpoint art. To escape narration from value judgment, MoYan prefers to choose children as observers when limited point of view is applied in his literature works. Besides, the utilization of the flowing and changing visual angles revert the omniscience and omnipotence of narrators, which enriches the text connotations. While it is found that the use of complex person leads Mo Yan to the free narrative kingdom ultimately. |
| 高 文 霞.莫言小说的叙事视角[J].石家庄铁道大学学报(社会科学版),2013(1):38-41. |
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