| 比较视野与弘扬传统——评王文生最新力作《中国美学史》 |
| Comparative Perspective and Carrying Forward Traditional Culture——Comment on Wang Wen sheng’s Masterpiece,“History of Chinese Aesthetics” |
| 投稿时间：2011-05-10 |
| 中文关键词:王文生 《中国美学史》 比较视野 弘扬传统 |
| 英文关键词:Wang Wen sheng the History of Chinese Aesthetics the perspective of comparation carry forward the China’s traditional culture |
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| 中文摘要: |
| 王文生力作《中国美学史》通过对传统美学思想的研习与探究，总结中国千年文艺发展的规律和经验，阐明中国文艺的美感与价值，展现中国美学思想的璀璨与辉煌。其突出特色在于以“比较”视角来论情味论的发展，交织采用中西比较、作品比较和文体比较等方式，显示出极为开阔的学术视野；著者深入开掘中国本土资源，弘扬民族文艺传统，体现出先生作为海外学者竭力弘扬中国传统文化和民族精神的使命感与担当精神。 |
| 英文摘要: |
| Wang Wen sheng’s Masterpiece “The History of Chinese Aesthetics” studies our traditional aesthetics, and concludes the law and experience of the development of Chinese lLiterature and art, and illustrates the beauty and value of Chinese literature and art. Its outstanding feature is the “comparative” perspective on emotionand interest development, alternately using a variety of comparison methods, such as the comparison between China and the West, comparison between works and styles and so on, showing a very broad academic vision.The author digs local Chinese resources deeply, promotes the nation’s literary tradition, reflecting the author’s sense of missionand responsibility as an overseas scholar in carrying forwardon Chinese traditional culture and national spirit. |
| 邓 心 强.比较视野与弘扬传统——评王文生最新力作《中国美学史》[J].石家庄铁道大学学报(社会科学版),20115(3):65-68. |
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